Jonathan Beard

Last updated on 02/03/17

Jonathan Beard embodies a musical duality, with one foot rooted firmly in a classical music education, and the other tapping into a concoction of pop-infused electronics and synthesis.  As a composer and orchestrator, his work has been heard across broadcast and cable television, and in hit th… Read more


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Credits and Employment History

Selected Score Credits:

Frank Vs. God (feature - C)
Deadpool (feature - O)
Star Wars Old Republic: Knights of the Fallen Empire (VG - C)
10 Cloverfield Lane (feature - O)
Star Wars: Battlefront (VG - A)
Kong: Skull Island (feature - O)
What Still Remains (feature - C)
Jack Reacher: Never Go Back (feature - O)
Marvel Agents of S.H.I.E.L.D. (ABC - O)
Once Upon A Time (ABC - A)
Penny Dreadful (Showtime - O)
Justice League: War (feature - A)
Mickey Mouse (Disney - O)
Three Days (of Hamlet) (feature - C)
Nikita (CW - O)
Step Up 3D (feature - O)

Key: C = Composer; A = Composer - Additional Music; O = Orchestration

Industry Qualifications

Full Credits List:


Education Background

M.A. from UCLA in music composition. Additional emphasis on cello.
B.A. from Stanford in music composition. Additional emphasis on cello. (I love the cello!)

Technical Equipment


All the traditional sample libraries, plus boutique libraries and instruments that my team and I have created ourselves. Vintage analog hardware synths from Moog, Oberheim, Dave Smith Instruments, Roland, among others.  Numerous strange and unusual acoustic instruments as well!

Other Skills/Additional Information

Award-winning performance/session cellist, with the ability to solo on my own projects.