last updated on 06/10/14
I am a professional musician, producer and sound engineer. I generally work as a session guitar player, freelance sound engineer for live events and producer for artists in search of sound and direction. I currently have a residency at Floridita (Soho) in the role of Sound and lights Engineer. In 2… Read more
Partner at Kat&Co. (from 2011)
Sound Engineer at Charlie Wrights, Old Street (2012)
Sound Engineer at Floridita, Soho (2014)
In 1994, back from the States, I started teaching music at the Accademia di Musica Moderna and my professional career started to take off.
As any respectable musician, I continue to train and practice every day even though production is now becoming my main area of work.
My Amplifiers are : Fender Tone Master, Matchless Clubman, Ulbrick 30, I also use Mesaboogie triaxis preamp and Brunetti 1000 Preamp as additional gear in the studio
I am into pedals, most of them before the amp, and my favourite are: Roger Mayer Voodoo Vibe Modified Dunlop Cry Baby TS9 Tube Screamer Matchless Hot box Ulbrick megalodon Crowther Audio Hot Cake Xotic EP booster Hermida zendrive T rex Delay TC electronic nova
I am also a producer with my own studio; I work with Soundcraft Desk, neve compressors, Phoenix Audio preamps, Antelope Audio converters, top grade mics( telefunken, AKGs, shure, etc..) and ATC monitors.
Other Skills / Additional Information
I trained as a vocalist with fellow musician Lorena Fontana who introduced me to the way of Alexander Technique. This training is proving most useful anytime I have to work with a singer. Coaching and directing a performance are in my opinion a key factor in achieving a good performance from a singer when it comes to production.
Just as any good actor needs a good director, I believe a good singer needs a good producer who understands the way of the voice and the value of a good performance and that is what I do.