Emilio M Rizzi

last updated on 23/03/17

Quadrilingual, pro-active and a very hard worker.

Contact

Only registered members of Music Match are able to view contact details.

Please log in below to use this function, or register as a member.

Login Sign up

Pictures

17191748_10154795726453145_4176903713866217976_o.jpg

Videos

Arsis PLAYTHROUGH

Tracks

Robert Jon & the Wreck - Blame it on the Whiskey.wav

Employment History

Administration Assistant

StudentCastle Limited

6/2016 - until now

Promoted from Receptionist and given more responsibility such as the company's email, generating contracts, allocating payments and more

Recording and Mixing Engineer

Freelance

5/2016 - until now

Freelancing for live sound and studio work. Clients contacted me via my website and I worked with them long distance to improve their music from arrangement to production to my final mixes and masters. The Dead White Doves commented to my live engineering as “the best on-stage sound we’ve ever had”

Concert Technician and Dept. IT Assistant

University of York

9/2015 - 9/2016

Setting up, recording and streaming concerts; from 2.0 to surround 8.4 systems.

Barista and Catering Assistant

University of Hull

2/2014 - 8/2015

An almost full-time job during my BA (Hons). Included some live sound work at open-mic nights.

Marketing Intern

Sennheiser electronic GmbH & Co. KG

6/2012 - 9/2012

Conducted a very successful market study on behalf of Sennheiser to explore the feasability of further expansion into the live events sector.

Affiliations

University of Hull

MA with Merit in Music Production (Alumnus)

University of York

BA with Honors in Creative Music Technology (Alumnus)

Education

MA (Merit) Music Production

Wanting to contribute to my field I continued from my BA and focused my MA on research into Contemporary Metal Music Production.

BA (Hons) Creative Music Production

Always at the head of the class when it came to production in Live Sound, Max MSP programming, Studio or Field recordings.

Technical Equipment

Analog

STUDIO: I started in audio with analog tape, DAT and finalizing to CD and DVD using industry standard pro-level equipment such as u87 microphones, Avalon pre-amps, Soundcraft K2 live sound desk, EL-6 distressors, LA-2A compressors, and countless others. 
LIVE: My proficiency with analog equipment allowed me to be offered to single-handedly engineer DeadLine Fest (Scarborough, 2015) with the following outcome: "The best on-stage sound we've ever had." - Dead White Doves

Digital

I have an excellent working knowledge of ProTools 10 and up, REAPER, MATLAB, and Max MSP, Adobe Audition.