Brad Spielberg


(05/1/06)

 Director of Photography
Grip

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Contact
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You can contact me at 323 284 5589
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From: 05/01/06
To: 11/12/06

About Me


Having worked as a director on several large Hollywood projects, I feel I have the experience to work on big-budget projects aimed at a global market. My particular strength is, alongside my visual flair, a unique combination of matinee good looks and professional vision.

During the course of my career I have worked with many leading filmmakers (Martin Scoresayshe, Manfred Hitchcock) and actors (Tom Holmes, Katie Cruz). I am comfortable working in both film and television. My credits include several blockbusters as well as more cerebral social portraits for the small screen.

Other relevant strengths are that I can:

  • work to budget deadlines
  • work with others while leading from the front

Credits/Employment History


Jan - May 2006
Producer/Director
A Sign of The Times
Elephantine Productions for Channel Six
6 x 30 series investigating cultural trends at the start of the new millennium, particulary the changing demographics of urban society

May 2005 - December 2005
Director
Standing Room Only
Watchword Films for Make Believe TV
A one-off documentary looking at the state of public transport, including fly-on-the-wall study of a day-in-the-life-of a high-profile transport government official. Involved some under-cover surveillance with actors playing harassed commuters

March 2004 - May 2004
Producer/Director
Do They Mean Me?
Wayward Films for Hollywood High Inc.
Classic rags-to-riches tale of regret and redemption.

February 1994 - August 2000
Assistant Producer/Researcher
Legendary Beasts
Hotspot for NWB
Two 50 minute shows. I was instrumental in tracking down and interviewing witnesses, as well as authenticating their accounts. Shot in Alaska and Death Valley, I also assisted the location manager and helped keep spirits high in demanding conditions.

1989 - 1994
Runner
Stark Light Productions
I worked in a small, close-knit production company for a year. My range of duties included assisting with script-editing, collecting and delivering scripts, answering the telephones and a whole host of other tasks which led to a greater understanding of the industry as a whole.

June 1989 - September 1989
Work Experience
McRonalds
At this slow-food outlet I realised that the television and film industry beckoned.

Affiliations


IATSE
DGA�

Industry Qualifications/Training
TBC Directors Course
Guild of Cameramen�

Industry Awards


Emmy for Swingin in the Rain

Education
1995-1998
Red Brick University
Diploma in Film Studies
Dissertation on the auteur in French cinema

1992-95
Beatnik School of Literature
Various classes in poetry, angst and method acting�

References


Elliot Gold
12a Hampton Drive
Hollywood
California
90045