Hollywood East (Part I: The Players)
January 19th, 2009 by StevePosted in Uncategorized
I’ve been hearing tidbits for months now, from various friends and family in the northeast, about a film studio or two popping up in that area. The talk centers around the number and variety of film and television production jobs that will be available, in complexes that are set to rival those found anywhere in the country (even Los Angeles). As time went on, the chatter grew, and so I decided to look into the claims; and soon, two words stood out above the others, both in terms of scope and ambition: Hollywood East.
That’s right, film and television production is coming to Massachusetts in a way never-before seen on the east coast. As of now, there are two distinct groups emerging as favorites to build studios within the state. The first, Plymouth Rock Studios, is a film and television digital complex set to open in Plymouth, MA; the second is Los Angeles-based International Studio Group, which intends to build eleven sound stages and related office space in SouthField, MA. Both of these groups intend to work together, not in competition, to ensure that the larger goal of creating a viable studio system in the state is reached.
These are no fly-by-night endeavors, the kind of operations that build themselves up on promises but fail to deliver for whatever reason (anything from a lack of funding, to a lack of approval by the local legislature). No, these are legitimate collections of Hollywood producers and executives, including a former producer who once ran Paramount, Walt Disney and Touchstone studios. And yet despite coming from outside the state, these men and women are showing a keen understanding of how to work with local governments and business leaders, to not only gain approval for the land they need, but also to clearly and concisely lay out their plan for what will be an ambitious business model (one that could conceivably bring 7,000 jobs to their respective regions). There’s also a youth-oriented feeling among many of the proposals for the studio development, with the goal of retaining a creative and young workforce who would otherwise be lured to California or New York in their pursuit of filmmaking opportunities.
And yet this kind of ambition should come as no surprise to anyone who’s followed the film tax credit battles that have been waged these past few years between states like New York, New Jersey, Massachusetts, North Carolina, and Michigan. Each one is looking to make the claim of being THE BEST home for filmmaking outside of Hollywood, and are competing to be just that. Such grand-scale plans are exactly what Massachusetts has been searching for ever since the 25% film tax credit that was created in 2006 (and subsequently expanded in July 2007). There have even been public hearings on proposed legislation to give an equally-high tax credit on studio construction costs as well. Already the state has seen a dramatic increase in production in the Commonwealth, and if the first step of their intent was to attract the filmmakers, then the next logical step seems to be keeping them there. Hence the idea behind Hollywood East.
Next up, now that we know who the players are, we’ll take a look at what they’re offering, everything from specific jobs in film and television, to increases in tourism…
Tags: Disney, film, filmmaking, Hollywood, Job, Paramount, Producer, production, Studio, Television
January 21st, 2009 at 7:37 pm
Oh my god, what a horrible place to have studios locate. I cannot think of a worse place on the East coast than MA.
January 26th, 2009 at 2:03 pm
i don’t know what kind of pr crack your smoking but this seems a little thin even by Hollywood West or East standards. First, let’s take the phrase ” I’ve heard tid bits from friends and family” about what? a mammoth studio operation that is so top secret it never shows up in the main stream trades. I’m not talking about page 10 or 15 or the HWR if there are even that many pages today. Besides, does anyone think there will be another sound stage effort to rival that of the importation of the less then savory Dino De Laurentii.He created a film production studio (DEG Studios) in Wilmington, North Carolina in the mid 80’s. It eventually closed. On a lighter note– these studio facilities were at least so well built that they still support serial televisions shows and low budget features. as well as the lively hoods of 100’s of guild member from Hollywood west and, of course, a couple score of locals that make a living from supporting the trains as they run through day or not, season in season out.
I didn’t bother to read much deeper on this article. Anyone who does not understand that Hollywood goes wherever the money is –as stated in the tax issues current in every statehouse in the nation. However, it be so counter intuitive to any one person, entity, or government to sink, perhaps millions, if not billions to entice an industry that as no more commitment that a saloon gal on a Saturday night. Hollywood goes where the money is–proof, Cold Mountain, about the south during the civil war, scouted locations from VA to SC, of the actual places where the events took place. Would have employed 1000’s of people. That is until an eastern European farmer could be persuaded that for $500.00 USD flat would be more that adequate to use his land for whatever they wanted–which was all of the principle photography and pick-up shooting for the movie , for as long as they wanted, more than six months. The last two parts of that statement are key. Control and more control. Austin, TX, Wilmington, NC, St. Paul, MN, Chicago, IL, Santa Fe, NM, among many, many others have become “THE THIRD” coast–in their own minds–by the forceful presentation that anything is possible… at least for a designated period of time.
This is not meant to bash the original writers question, if it was sincere, however, the state of the industry, the state of the state’s that would host this industry and the core of this industry is suffering the same as the most unstable of business models that are out there today. They considered themselves civilized people…they never eat their own–they always have someone else do it for them.
Just an opinion.